Well, here I would like to welcome the debut literary Cortegoso Francisco, National Prize for Poetr

"The triumph of the ego is the triumph of poetry", today announced a digital media to celebrate the arrival of the first book of poems of a young Spanish writer, Irene X. Judging by the experience of this girl, who had placed neckbeard 4,000 copies before the Exit the forthcoming book, the formula for success seems clear: the young poet must turn into cult character neckbeard in the poem and road access to his private life. In other words, Becoming Miley Cyrus and the book is the Super Pop.
Well, here I would like to welcome the debut literary Cortegoso Francisco, National Prize for Poetry Josemaría Perez paralle neckbeard 2013 just opposite the motto: "The death of the ego is the victory of the poem." Probably Memorial neckbeard and dance not reach the market shares of such Irene X, but if he can proudly entering again.
I think that there is a possibility of a post-poetry, a poetic discourse that go beyond the extreme lyrical, dance and Memorial be located there, making way with firm strokes, so safe that may surprise those who ignore the work of writing with Fran for a long time. There is this book a incipit; well before, find a handful of verses that evoke an end, the goal of a journey through the possibilities and limits of the poem. The result of years of research and reflection, trial and error, reading and writing, work. Memorial and dance is a book of maturity, much as the hand that wrote it reaches thirty.
The statement goes into the background. No matter who it is here that I speak (when available), not who is going. The question for the voice, the central reflection on the poem from Romantismo stops making sense. The subject vanishes while the poem appears in his majesty, the power of a body.
I think that the proposal lies in Memorial and dance based, essentially, in denying the mimesis. I read the book and learn the lesson: a poem not re-presented, does not return to present what it is. It is. Thus, it should not succumb to the temptation of the parabola. Francisco where he writes rose, heart and rose garden read, heart, garden. No symbol - nothing in the text referred beyond itself. And yet, the poem speaks to us in a sense that transcends the vision of short-range, the collection of stories of being-here, right now. Poetry was vision and can be back. Hölderlin, Celan, Chus Pato. Choosing good teachers is also synonymous with literary talent.
Memorial and dance does not make concessions. As Oriana Mendez, Daniel Salgado and Maria Cebreiro, Cortegoso poet who is disposed of sentimental excesses, perhaps aware that this feature operates in the direction of the easy route to win the approval of the average reader. Poet technique, head, writes that listening to the rhythm of the heart, neckbeard but not sacumbe his attack when he starts beating too strong. Means and says. Melody and words to give the precise formula, one that reveals the poem in his style handcrafted manufacturing.
Memorial because economics is a poem from memory, had said Derrida, writing and memory. Dance, which also would mean the movement, the action, the human body advancing against transcendental neckbeard against all. N in more nor less.
tasting rice cultivation in the mountains of Indochina
Tags: Antón Lopo, Chus Pato, Daniel Salgado, neckbeard Francisco Cortegoso, Hölderlin, Maria Cebreiro, Memorial neckbeard and dance, Oriana neckbeard Mendez, Paul Celan, poetry, National Poetry Prize Josemaría Perez paralle neckbeard
Congratulations on entry, which is splendid (as the book referred to). While reading, I thought that actually the idea that the poem is the subject neckbeard of the poem is a romantic idea clearly. I'm with you that the diction of Cortegoso is antisentimental; say it is anti-romantic seems more risky because, against which so brilliantly have theorized neckbeard people very dear and close friends (think of the master Houses), I do not think you can claim that we are in a stage of overcoming the lyrical. Unless we are unnecessarily restricting the concept of poetry, not observing that the Circle of Jena, who founded neckbeard the romanticism in two ways philosophical and poetic, are already spelled out reasons as the fragmentation of the poem or absolute negativity of the self . Anyway, old hobbies. Do not listen to any thanks and welcome the arrival of a new book to the world. M. Delete Reply
PS: I would like to specify that the research houses insist with great success on the idea that the "post-lyrical" is not something like a Hegelian synthesis to determine the improvement in temporal sense, the "lyrical". In that sense, neckbeard I agree fully with him in the present tense about many elements of questioning romantic model. But I think also that, between us (the English literary critic or have never had this problem), the romance continues to be imbued with connotations that in secrecy, and tom