Tanaka says,

Janice Tanaka gives a distinctive sensibility to its intricate texture collage video, which the critic Gene Youngblood described nysc forest hills as "of the highest nysc forest hills caliber, showing a visual brilliance and a poetic resonance, features nysc forest hills the work of a master."
Combining social and political observations, surveys nysc forest hills philosophical nysc forest hills and personal insights, Tanaka uses in his works, original movies, appropriate images in the media, and processes of layering electronics, thus transforming the autobiographical universal.
In his early works, nysc forest hills such as Manpower and Beaver Valley (both in 1980), manipulates images film and television in order to criticize the representation nysc forest hills in the media of gender roles and sexual differences. In Memories from the Department of Amnesia (1989), Tanaka builds a poignant meditation on loss and memory through a lyrical collage of photographs, text, and voice-over that tells a personal story of his mother's life. In recent works such as Who's Going to Pay for These Donuts, Anyway? , And No Hop Sing. No Bruce Lee ..., Tanaka extends this investigation autobiographical cultural environment, nysc forest hills thus explores the construction of the Asian-American. nysc forest hills
Tanaka says, "I strive to ensure that my work contains a primary visceral effect, coupled with an analytical statement that reflects the diversity of a particular experience nysc forest hills and observation."
Tanaka holds a BFA and MFA at the Art Institute of Chicago. Before becoming a video artist, was a dancer in the Allegro American Ballet Company and has studied with the Ballet Folklorico Mexico. And 'the winner of several National Endowment for the Arts Fellowships and a premium of' American Film Institute. He has taught at Columbia College and the University of Colorado. Currently, he teaches at the University of California at Los Angeles.
His video works have been exhibited internationally in festivals and institutions, including: the 1991 and 1993 editions of the Biennial Exhibitions at the Whitney Museum of American Art, New York, Museum of Contemporary Art, Chicago; Asian American International Video Festival, The Museum of Modern Art, New York, The Institute of Contemporary Art, Boston, Long Beach Museum of Art, California; nysc forest hills Videonale Bonn, and the World Wide Video Festival, The Hague.
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