Friday, October 11, 2013

In 1989 the Poul Borum an article on literary critical methods in the journal sofa lova Standart. H

The art of going to school | Information
Once, literature, something that contributed to the formation. sofa lova Today it ended up in competition with the fast media and a writer no longer qualifies as a spiritual guide. Still, there is a need for literature, and there is a need for a school where new writers sofa lova can be trained. But why? Author and former rector of the Author The school is on the trail of an answer in this essay to write on time
In 1989 the Poul Borum an article on literary critical methods in the journal sofa lova Standart. He began his article with a caricature of a typical review in the magazine and let the notification begin like this: "I had not previously heard about the bicycling poet Hans Christian Andersen, but his little work of prose swineherd is definitely interesting and I have been fascinated by it. 'Then follows then write Borum, twenty line action report sofa lova with references to Jacques Lacan and Hans Hauge and two sections with critical remarks and praise, in Borums sofa lova rendering reads: "one can probably say that Hans Christian A. writes a rather childish language and it is certainly exceedingly ugrammatisk ... I've still been very busy young Andersen's little jeu d'esprit, and you should definitely read it! '
If you now repeated caricature and moved it from literary criticism and the fiction, so could its object instance. be a student at the Writers' School, whose debut novel begins: "Jørgen S. came down the main street of Havnstrup in his new blue set and white sandals. The neck was twisted at an angle under one arm he carried a black bag of thick, cracked leather. He he was looking for a shady bench where he could continue his exams. 'There follows then a hundred pages about how George was sexually abused by a family sofa lova member, but has since managed to free themselves from the family. The novel is divided into three sections, each of which follows a decade in George's life. The novel ends with George finds his life special someone, a proud and independent woman who does not care about that "George could not escape its uncertainty. He was one of those who stumbled at the start and never really sofa lova stopped to stumble. "
Poul Borum notes ironic about Standart-notifier sofa lova that his efforts could hardly be better for his review sofa lova have followed sofa lova all the conventions sofa lova adopted. It contains both an introduction to general characteristics and location, a detailed description suggested interpretation, followed by objections and final recommendation. sofa lova Similarly, one could say about the Author School sofa lova student that his novel contains both an unfolded psychological portrait, an overall picture of time with recognizable detail, a natural progressive course of action to say the least said colorful supporting characters and epic and existential redemption. But even if the sophomoric review could probably dream of being recruited as unganmelder on politics, could debut novel hardly make great expectations of being touted for future new literary star. And yet. Not so long ago wrote one of the main data on just Politiken on a new novel: "It is incomprehensible diligently researched, and it is as a literary engineering wildly impressive. Good enough enters tell levers here and there so clearly that you think it's sofa lova a lie ... but with (xx) is, as in a world where this kind is ok 'The ordfattige image addiction
If I should say something about how the debacle in both the critic and the author has arisen, I have to start somewhere sofa lova else. And the place include Author School in Copenhagen and writing schools in general. For it is, of course, that there has been a watering place of literature as art - or why not: the very definition of art. And it is about literature's role has changed considerably since the Author The school was opened in 1987. At the opening of the school sofa lova on 3 November, Thorkild Bjørnvig a speech that was printed the day after the article in the very same politics. Here he tried to explain why precisely what time had shown a need to establish an educational institution for writers (there was also similar initiatives in the late eighties, so there was obviously a need). Bjørnvig considered Writers' School as part of a poetic 'survival impulse' and imagined that this impulse was, provoked by the other media to strength, from press and radio to video and television. Especially the latter's incentive to something approaching that of the pure wordless or ordfattige image addiction. Either engage writers, journalists, ordbrugerne in the widest sofa lova sense on is a pointless competition, a hopeless race - or they and their readers reflects on the words intrinsic value and irreplaceable role. The last, the authors and their good readers, of course, always done. But now feel both parties themselves cornered. The real word, the creative expression conservation and precision, its existence overhovede

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